
Between Rothko and 3 Windows is a literary thriller that should not be overlooked.
“The time had come to tell the truth, not because of remorse, as many people would think, but for a darker purpose, the sense of justice….he must talk again.”
While at the AGO (Art Gallery of Ontario) on his lunch break, Michael is murdered in a quiet, secluded spot between a Rothko painting and a visual art instalment of 3 windows. Sergeant Stevens of the Toronto police contacts his old friend, Luigi, as he often does when a murder in the Italian community occurs. Luigi has the instincts of an investigative journalist and becomes entwined in the case whilst dealing with angina, a heat wave, a newspaper on the edge of folding and his approaching retirement (to Italy, he dreams). Also, Michael’s killer makes an attempt on his life in a stressful scene near the R.C. Harris water treatment plant. More resolved than ever to uncover why Michael came to Canada, why he felt he needed to change his name and the motive for his murder, Luigi sets out on a mission to set matters right, for himself as much as for the deceased.“He [Luigi] glanced again at the moon, listening to the muted sounds coming from the main street. Ioccurreded to him that Michael Karrier’s past and his own were bound together, half asleep, on that corner just behind the road, invisible, suffocating and alive.”
Between Rothko and 3 Windows is a literary thriller that should not be overlooked. At less than 200 pages, Mr Paina tells a comprehensive story of youthful misadventures (and their future consequences), middle age “should-have-done” missed opportunities and the changing times, particularly the loss of culture for Italian Canadians in Toronto as successive generations move out of the city to the suburbs. A beautifully rendered story with an appropriate melancholy pace, as befits the novel’s aforementioned themes. A five-star work of short fiction, and I have added it to my 2017 Longlist for a “Very Best!” Award.